Unheard of YouTube views, peppering Beatport’s Top 10, building a rep as a remixer to the stars and delivering stamina-soaked sets from the White Island to Governor’s Island… Thomas Gold has fast become clubbing’s G-force of nature. Since storming onto the scene and riding the crest of dance music’s re-taking over of the planet, the prolifically pedigreed German has emerged as a top shelf seizer of arenas, talked
about the world over.
As a spinner with the most well-thumbed of passports, Gold’s upgrading from studio to stage stimulator, including the use of live drum lines and brass sections, has dominated the essentials of must-attend dance parties: the Ultra Music Festival, Electric Daisy Carnival, Coachella, Mysteryland and Tomorrowland, an experience Gold has simply summed up with the word “goosebumps!”. Pitting perpetual energy with a catalogue of custom edits, Gold treats Ibiza and New York as year-round timeshares. His dominance of Pacha, Ushuaia, Privilege and Amnesia has scaled over into the orchestration of Big Apple roadblocks at the Roseland Ballroom (“the combination of vintage historical elements with modern dance music and a crazy NYC crowd”), and numerous takeovers of Governor’s Island.
From coast to coast and continent to continent, Berlin-based Gold has earned the keys to Las Vegas dancefloors and stadia – still packing ‘em in after four years and counting –and is something of a legend as headliner at Miami heat-seekers Liv and Story. 2015 saw an epic nine-day, 14,000km wowing of locals through Jakarta, Manila, Bangkok, Tokyo and Singapore; and locking arenas into eight hour sessions at Space shows his ability to sustain pressure for when day becomes night and back again.
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